<?xml version="1.0" encoding="UTF-8"?>
<urlset xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xmlns:xhtml="http://www.w3.org/1999/xhtml" xmlns:video="http://www.google.com/schemas/sitemap-video/1.1">
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-06</lastmod>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/religion-and-memory-in-the-valley-of-pompeii-in-progress</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1576237786265-IRXY7FWBPA5NE9OEYU5H/0.Cover.jpg</image:loc>
      <image:title>Articles - Religion and Memory in the Valley of Pompeii</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/gods-collections</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/d150fb53-b161-4e85-ad48-bc53dcdf1297/bothroi+drawing.png</image:loc>
      <image:title>Articles - Gods' Collections - Make it stand out</image:title>
      <image:caption>Archaeological sketch of the votive offerings found in special ritual pits at the Sanctuary of Hera at the Mouth of the River Sele, Paestum, Campania.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/pompeii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/ef21fa85-8238-45a9-917a-67f8f7f45d00/Open+Arts+Journal+Pompeii.png</image:loc>
      <image:title>Articles - Material religion in Pompeii - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/a-sense-of-disruption</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1589834164223-F154ILZUBIRMD0LNQ4PH/image-asset.jpeg</image:loc>
      <image:title>Articles - A Sense of Disruption</image:title>
      <image:caption>FIG 1 Situla (ceramic bucket) from a tomb in Apulia, southern Italy, depicting Dionysos in the company of two maenads and a satyr. Attributed to the Varrese Painter. Produced c. 350-340BCE. Height 28.1 cm. Museum of Fine Arts, Boston, 1992.317.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/tiny-and-fragmented</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545589451141-J1EH3CQNU1O4AS15OQP0/TinyFragmented1.jpg</image:loc>
      <image:title>Articles - Tiny and Fragmented</image:title>
      <image:caption>Figure 3.1 - Broken figurine of the Tanagra type from the excavations at Narce. Early first century BCE. Photo courtesy of Jacopo Tabolli.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545597008245-A6CXSPD7PVYM079CXWZD/TinyFragmented2.png</image:loc>
      <image:title>Articles - Tiny and Fragmented</image:title>
      <image:caption>Figure 3.2 Bronze ceremonial shaft-hole axe head, inscribed with a dedication to Hera. Ca. 520 BCE. From San Sosti, Calabria. 16.5 cm × 8.8 cm. London, British Museum 1884,0614.31.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545597053502-0BZCPGORY1MIK3J46RX6/image-asset.png</image:loc>
      <image:title>Articles - Tiny and Fragmented</image:title>
      <image:caption>Figure 3.3 Marble votive relief from the Asklepieion at Athens showing a woman kneeling in front of a cult statue with votive body parts suspended behind her. Fourth century bce. Athens, Acropolis Museum 7232. Ht. 16 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545597138707-06T1DOWHL3KH3PJD4A6T/TinyFragmented4.png</image:loc>
      <image:title>Articles - Tiny and Fragmented</image:title>
      <image:caption>Figure 3.4 Stacked wooden heads from the sanctuary at the source of the Seine. Ca. early first century CE. 70 × 10 × 8 cm. Dijon Archaeological Museum 75.2.80. Photo by François Perrodin, used with the kind permission of Dijon Archaeological Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545597162849-7S45FNDA62Q47YNZ2K0B/TinyFragmented5.png</image:loc>
      <image:title>Articles - Tiny and Fragmented</image:title>
      <image:caption>Figure 3.5 Drawing of decorated side of head pillar from Entremont. Ca. 500 BCE (date contested). Ht. 2.58 m. Drawing by Libby Mulqueeny, used with the kind permission of Ian Armit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545597357211-PFYJP8LJI0VZ6IVNHMGU/TinyFragmented6.png</image:loc>
      <image:title>Articles - Tiny and Fragmented</image:title>
      <image:caption>Figure 3.6 Bronze plaque showing female trunk, from the Seine sanctuary. 5.1 × 2.2 cm. Dijon Archaeological Museum 2012.0.117. Photo by François Perrodin, used with kind permission of Dijon Archaeological Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545597315474-964F0E1ZOPA6J2LQMGQC/TinyFragmented7.png</image:loc>
      <image:title>Articles - Tiny and Fragmented</image:title>
      <image:caption>Figure 3.7 Miniature body parts from the sanctuary of Artemis at Ephesos. Ca. 700 bce. London, British Museum 1907,1201.22.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/sensual-religion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1582390134158-4QXC9741F55OAPA28J98/cover_issue_2278_en_US-201806110846.jpg</image:loc>
      <image:title>Articles - Sensual Religion: Religion and the Five Senses</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1582390585416-RCE5STM0NLUH4U6MBHUT/Review_BASR1.png</image:loc>
      <image:title>Articles - Sensual Religion: Religion and the Five Senses</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1582390605565-B686G171736S96K1G0HW/image-asset.png</image:loc>
      <image:title>Articles - Sensual Religion: Religion and the Five Senses</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1582390617020-7TSO7IL7WW3JBJ2KYCTB/ReviewBASR3.png</image:loc>
      <image:title>Articles - Sensual Religion: Religion and the Five Senses</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/souvenirs-of-the-self</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520802594235-4IP7ETPFLX1FVMP8K0WG/LAR1.png</image:loc>
      <image:title>Articles - Votives and Souvenirs</image:title>
      <image:caption>Fig. 1: Baby’s baptismal outfit and other votives seen in the Sanctuary of the Blessed Madonna of the Rosary of Pompeii, April 2016. Photo by author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520802634855-3WAPK2Y9N1EIQP7QIJ8Q/LAR2.png</image:loc>
      <image:title>Articles - Votives and Souvenirs</image:title>
      <image:caption>Fig. 2: Marble relief to Artemis from Ekhinos in Phthiotis. From the sanctuary of Artemis Lochia, Archaeological Museum of Lamia, inv. no. BE 1041. 121 × 68cm. End of fourth – beginning of third century BCE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520802678047-C7TGL9GVSQAFUV506OYZ/LAR3.png</image:loc>
      <image:title>Articles - Votives and Souvenirs</image:title>
      <image:caption>Fig. 3: Silver snake finger-ring, possibly re-used as a votive offering. From the Backworth Hoard (Romano-British). British Museum, inv. no. 1850, 0601.11.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520802712001-FQJQMNPPVZ0CY4UGV8HL/LAR4.png</image:loc>
      <image:title>Articles - Votives and Souvenirs</image:title>
      <image:caption>Fig. 4: Roman surgical tools from the Saone, after Baker 2004, fig. 3. Drawing by Joshua Pollard. Used with the kind permission of Patricia Baker.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520802774468-96ESU510P5R2SCCCBBV5/image-asset.png</image:loc>
      <image:title>Articles - Votives and Souvenirs</image:title>
      <image:caption>Fig. 5: ‘Pilgrim’ statue from Dea Sequana sanctuary. Height 60 cm. Dijon Archaeological Museum. Image reproduced with the kind permission of the photographer, François Perrodin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520802937112-QK8S76C4RIBJUAIQG3K8/LARtable1.png</image:loc>
      <image:title>Articles - Votives and Souvenirs</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520802987924-8JEITJN49GSCYUS96M22/LARTable2.png</image:loc>
      <image:title>Articles - Votives and Souvenirs</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520803040909-9EEIFLCCR2JII5YGAHXF/LAR6.png</image:loc>
      <image:title>Articles - Votives and Souvenirs</image:title>
      <image:caption>Fig. 6: Piece of Plymouth Rock, removed by Lewis Bradford in 1830. 10.8 × 6.4 × 2.5 cm. Division of Political History, National Museum of American History, Smithsonian Institution, Accession Number 52309.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/studying-votives-across-cultures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519924231027-FU0JAAFFMWJV2T8OBAXY/InConv1.png</image:loc>
      <image:title>Articles - Studying Votives across Cultures</image:title>
      <image:caption>Figure 1: Installation view of the 2016 exhibition Per Grazie Ricevute: la devozione religiosa a Pompei antica e moderna (For graces received: religious devotion in ancient and modern Pompeii). Courtesy of the Archaeological Soprintendenza of Pompeii.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519924392483-CVWK6UYZIR55SAFKPPFA/InConv2.png</image:loc>
      <image:title>Articles - Studying Votives across Cultures</image:title>
      <image:caption>Figure 2. Painted ex-voto from the church of the Madonna del Carmine in Naples.Dedicated in 1926 by Maria Sannino. Used with kind permission of Carlo Raso.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/fractured-narratives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519844500804-9V3FFZIYMEJH5A2QIDQT/BGC1.jpg</image:loc>
      <image:title>Articles - Fractured Narratives</image:title>
      <image:caption>Fig. 1. Terracotta figurine from Nemi, fourth– second centuries BCE, front view. Photograph courtesy of Nottingham City Museums and Gal- leries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519844549678-W9E76Y788RHQJ0665WVH/BGC2.jpg</image:loc>
      <image:title>Articles - Fractured Narratives</image:title>
      <image:caption>Fig. 2. Terracotta figurine from Nemi, fourth–second centuries BCE, back view. Photograph courtesy of Nottingham City Museums and Galleries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519844651174-AG1LJODVNCT6KFSIIDE3/BGC3.jpg</image:loc>
      <image:title>Articles - Fractured Narratives</image:title>
      <image:caption>Fig. 3. Votive male torso from the Roman Republican period, reportedly excavated from Isola Farnese near Rome between 1871 and 1900. Photograph courtesy of Science Museum, London/Wellcome Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519845100244-0YWFXQ20FF444YEIHFPG/BGC4.png</image:loc>
      <image:title>Articles - Fractured Narratives</image:title>
      <image:caption>Fig. 4. Bronze mirror showing mythical haruspex Calchas, from Vulci, ca. 400 BCE. Vatican Museums. Drawing used with the kind permission of Nancy de Grummond.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519845724094-Z93FEMN7CZSRNBBCHRVF/BGC5.jpg</image:loc>
      <image:title>Articles - Fractured Narratives</image:title>
      <image:caption>Fig. 5. Plan of the sanctuary of Diana at Nemi. Photograph from G. H. Wallis, Illustrated Catalogue of Classical Antiquities from the Site of the Temple of Diana, Nemi, Italy (Nottingham, 1893).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519909029586-H25HKITTH6XN0JGY3OHI/BGC6.jpg</image:loc>
      <image:title>Articles - Fractured Narratives</image:title>
      <image:caption>Fig. 6. Selection of objects from the excavations at Nemi. Courtesy of Nottingham City Museums and Galleries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519909910798-M0LC9D3LMHJ2DAQI2L2I/BGC7.jpg</image:loc>
      <image:title>Articles - Fractured Narratives</image:title>
      <image:caption>Fig. 7. Screenshot from the “Speculum Dianae” website, accessed July 6, 2015. Reproduced with the kind permission of Katharina Lorenz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/the-icon-of-the-madonna-dellarco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/Pompeii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519321585876-1P3NKLGT6129BFMGDWQK/Screen+Shot+2018-02-22+at+17.45.50.png</image:loc>
      <image:title>Articles - Ex-votos at Pompeii</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519321324281-ZKJD0KE5408PXETWQG1J/Bartolo.jpg</image:loc>
      <image:title>Articles - Ex-votos at Pompeii</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519321480670-QIB89QXM9LYNUGY849CZ/PGR.jpg</image:loc>
      <image:title>Articles - Ex-votos at Pompeii</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/yves-kleins-ex-voto-to-st-rita-of-cascia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519647308081-QKVDFT4RYXUHRMDIQ9I5/Klein1.png</image:loc>
      <image:title>Articles - Yves Klein's Ex-voto to St Rita of Cascia</image:title>
      <image:caption>Ex-voto dedicated to Santa Rita of Cascia by Yves Klein, 1961 Dry pigment, gold leaves, gold bars and manuscript in a plexiglas box, 14 x 21 x 3.2 cm © Yves Klein / ADAGP, Paris, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519647359497-U85MM4A3LEYL32AARUYA/Klein2.png</image:loc>
      <image:title>Articles - Yves Klein's Ex-voto to St Rita of Cascia</image:title>
      <image:caption>Transfer of "Zones de sensibilitié picturale immaterielle" to Michael Blankfort, Pont au Double, Paris, February 10, 1962 © Yves Klein / ADAGP, Paris, 2014 © Photo Gian Carlo Botti</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/classical-reception-in-the-presepe-napoletano</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517774746434-RZ3LKDFLYLF1XUOLX907/presepe.png</image:loc>
      <image:title>Articles - Classical Reception in the Presepe Napoletano</image:title>
      <image:caption>Dominique Vivant Denon, family group. The inscription reads ‘Preso dal presepio de S. I Terres compost da Francesco Viva Napoli nel mese d’Aprile del anno 1785’. Naples, Museo Nazionale di San Martino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517774892943-8VCFZIC1S6FWH6GG593L/cuciniello.png</image:loc>
      <image:title>Articles - Classical Reception in the Presepe Napoletano</image:title>
      <image:caption>The ‘Presepe Cuciniello’. Naples, Museo Nazionale di San Martino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517775026774-FZJSMB8WDY3U2HHN6WRQ/Cork_presepe.png</image:loc>
      <image:title>Articles - Classical Reception in the Presepe Napoletano</image:title>
      <image:caption>‘Presepe di sughero’ (cork nativity), exterior. Naples, Museo Nazionale di San Martino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517775074233-OTLFG30MS1T2NSYKN386/presepe_sughero.png</image:loc>
      <image:title>Articles - Classical Reception in the Presepe Napoletano</image:title>
      <image:caption>'Presepe di sughero' (cork nativity), interior. Naples, Museo Nazionale di San Martino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517775158171-47GQYH8UPRLNIZKLCVQP/San_Gregorio_Armeno.png</image:loc>
      <image:title>Articles - Classical Reception in the Presepe Napoletano</image:title>
      <image:caption>View of presepe merchandise on sale in Via S. Gregorio Armeno, including figurines of Pulcinella and S. Gennaro.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517775187623-DDLO6OH7O93OL73JPZZ2/Presepe_Toto.png</image:loc>
      <image:title>Articles - Classical Reception in the Presepe Napoletano</image:title>
      <image:caption>View of presepe merchandise on sale in Via S. Gregorio Armeno, including figurines of Pulcinella and S. Gennaro.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517775229088-P0HJKHGCNWB3V29DJWZZ/Presepe_columns.png</image:loc>
      <image:title>Articles - Classical Reception in the Presepe Napoletano</image:title>
      <image:caption>Mechanised figurine of a figuraro (presepe maker), bought in S. Gregorio Armeno, Christmas 2011.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517775287952-0WZF6JPFSCA18KBIU52A/Vision_Augustus.png</image:loc>
      <image:title>Articles - Classical Reception in the Presepe Napoletano</image:title>
      <image:caption>The Vision of the Emperor Augustus and the Ruins of the Temple of Peace, c. 1400, tempera. Stuttgart, Staatsgalerie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517775339041-YDY8E52C75OAXPMCGNHT/Presepe_Ferrigno.png</image:loc>
      <image:title>Articles - Classical Reception in the Presepe Napoletano</image:title>
      <image:caption>The Presepe per L’Aquila, 2009, Ferrigno workshop, Naples.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/self-evidence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520271250647-7ABBXKKFVTLDMHTBS8IR/Wellcome1.png</image:loc>
      <image:title>Articles - Self Evidence</image:title>
      <image:caption>Velvet ribbon votive offering found tied to rushes growing around a holy well.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520020380271-5HY1YHXHGNPHT5TPZTDF/wellcome2.png</image:loc>
      <image:title>Articles - Self Evidence</image:title>
      <image:caption>The cave of Trophonius. The cavities in the rock are for votive offerings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520020453081-A4X3SIO3MIDGGSKQFJBK/wellcome7.png</image:loc>
      <image:title>Articles - Self Evidence</image:title>
      <image:caption>A man presenting a votive offering to the protector of sailors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520020508993-8YGK7UHH8HCXK4VBAWOD/wellcome3.png</image:loc>
      <image:title>Articles - Self Evidence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520020529974-07W6OWT4JQ1POK2HRBAN/wellcome4.png</image:loc>
      <image:title>Articles - Self Evidence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520020606281-XASMGQMS9WQSAA4W4HTR/wellcome5.png</image:loc>
      <image:title>Articles - Self Evidence</image:title>
      <image:caption>A composite at the Remedios basilica, from Frank Graziano’s book “Miracles in Mexico”. See http://miracles-in-mexico.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520020660249-27NEGHJS9LT16HPWB96M/wellcome6.png</image:loc>
      <image:title>Articles - Self Evidence</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/memory-and-the-arch-of-constantine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517760845242-M3M65RTUCCGJNHKOWCZN/Constantine+Frieze.png</image:loc>
      <image:title>Articles - Memory and the Arch of Constantine</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519384581415-STVB2NVNZKP6J1GYBVEJ/Arch1.png</image:loc>
      <image:title>Articles - Memory and the Arch of Constantine</image:title>
      <image:caption>Fig. 1 The Arch of Constantine in Rome, seen from the north.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519385018683-CN7BJI8U9V13SNURJI8Q/Arch2.png</image:loc>
      <image:title>Articles - Memory and the Arch of Constantine</image:title>
      <image:caption>Fig. 2 Spolia on the Arch - diagram from Wikimedia Commons https://commons.wikimedia.org/wiki/File:Constantine_arch_datation.svg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519385318731-UUB9NGGZUIZL1DN6NTNE/Arch3.png</image:loc>
      <image:title>Articles - Memory and the Arch of Constantine</image:title>
      <image:caption>Fig. 3 Arch of Constantine, east side with section of Constantinian frieze and roundel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519387635171-VDEY9HPXZ2MY9XLWO9TK/arch4.png</image:loc>
      <image:title>Articles - Memory and the Arch of Constantine</image:title>
      <image:caption>Fig. 4 Detail of the head of Constantine, recut from a head of Trajan, from the Trajanic frieze now on the west wall of the passageway in the central opening.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519387912971-8I3EI2A12R21TOETEEWC/arch5.png</image:loc>
      <image:title>Articles - Memory and the Arch of Constantine</image:title>
      <image:caption>Fig. 5 Arch of Constantine, Rome. Trajanic panel from central passageway of arch with inscription FUNDATORI QUIETIS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519387980123-FEWXI4MQQG1CI3ZTDUGR/Constantine+Frieze.png</image:loc>
      <image:title>Articles - Memory and the Arch of Constantine</image:title>
      <image:caption>Fig. 6 Arch of Constantine, Rome, north side with oratio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519388175697-BMHWJ9LNI3VK19CQN6ZQ/arch7.png</image:loc>
      <image:title>Articles - Memory and the Arch of Constantine</image:title>
      <image:caption>Fig. 7 Statue of King George VI located in Carlton Gardens, near The Mall in London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519388428987-21HQPDJZW3NA0DACERIU/arch8.png</image:loc>
      <image:title>Articles - Memory and the Arch of Constantine</image:title>
      <image:caption>Fig. 8 Adventus scene from the Arch of Constantine. featuring a reclining personification of the Via Flaminia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519389324537-DLWVM3K7XDFGLNVJ5DVO/Liberalitas</image:loc>
      <image:title>Articles - Memory and the Arch of Constantine</image:title>
      <image:caption>Fig. 9 Liberalitas panel from the Arch of Constantine.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/votive-body-parts-in-greek-and-roman-religion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519384008016-K387LWMXZD0W0NML8CK6/wolrdarch1.jpg</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519384034656-WCKSCID5GTP16BGEBTG0/worldarch2.jpg</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519384102376-BZDJCMPGI8NUO4TXG5M8/Worldarch3.jpg</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517764582745-39HAW66VVREM3F9W6KVS/Etruscan_News.jpg</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519652999324-2P9BK0B29FIGQM3J6K3Y/Review+of+Votive+Body+Parts+by+Michael+Vickers</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519653030807-R651BL1YIQT2XTA9QF4V/Review+of+Votive+Body+Parts+by+Michael+Vickers</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519382940963-NFZZDA2WFSUGN6CD88DY/review1.png</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519382981262-Z0EUAVIETGF0MYJMUQVA/review2.png</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519383005513-QN98UAGPRM51ZQ86G0RD/Screen+Shot+2018-02-23+at+10.47.39.png</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1546951047789-LH597Z0HQ6LWQQXJURK3/Screenshot+2019-01-08+at+12.36.07.png</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1546951082092-A623ZSNBHMYRWBR2IY7F/Screenshot+2019-01-08+at+12.36.18.png</image:loc>
      <image:title>Articles - The Anatomy of Ritual</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/remembering-parthenope</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1531601682159-W44RBGO85STOCO643X4O/Screen+Shot+2018-07-14+at+21.53.54.png</image:loc>
      <image:title>Articles - Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1530961732305-YIBBT7ZS3PH8Y9JAQY69/Stothard1.png</image:loc>
      <image:title>Articles - Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1530961782311-X457UFLZG4E7SN1DWSAX/Stothard2.png</image:loc>
      <image:title>Articles - Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1530961818445-59X5CNMFZMPT063GKOFJ/Stothard3.png</image:loc>
      <image:title>Articles - Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1531601382877-BT997TCRFL2D8KK4UBD4/Montanari1.png</image:loc>
      <image:title>Articles - Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1531601404069-XVRQ4OBOXY0JC2P93M0Q/Montanari2.png</image:loc>
      <image:title>Articles - Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1531601421461-RARVOQVS0L7ZE7Y269TM/Montanari3.png</image:loc>
      <image:title>Articles - Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/body-parts-and-bodies-whole</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520419896023-WKWESFVAHYUKXHZ6O46F/Christie.jpg</image:loc>
      <image:title>Articles - Body Parts and Bodies Whole</image:title>
      <image:caption>Christie Brown, Ex-Votos, Terracotta, 2003.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1520419933753-XFAAD9LB5LDSHJ547L6M/Christie2.jpg</image:loc>
      <image:title>Articles - Body Parts and Bodies Whole</image:title>
      <image:caption>Christie Brown, Ex-Votos, Terracotta, 2003.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/the-myth-of-return-restoration-as-reception-in-eighteenth-century-rome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517858594867-4ZOR3P88XHY9LK751VHX/Antinous1.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 1. Second-century AD statue of Antinous restored c. 1795 as Ganymede, from the Lady Lever Gallery at Port Sunlight. Parian Marble. The statue measures 2.33 m from the base of the pedestal to the top of the cup. Courtesy of National Museums Liverpool.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517858776318-EFTVZDLX5FBBEAPXB2U2/Antinous2.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 2. Stefano (1753-1835): Pius VI on a Visit to the Museums. Vatican, Museo Pio-Clementino. ß 2011. Photo Scala, Florence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517859017380-FUG4S1WW9CU8CKRZDE1D/Antinous3.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 3. Cellini, Benvenuto (1500–1571): Ganymede and the Eagle. Museo dello Bargello, Florence. Courtesy of the Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della citta` di Firenze.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517859222711-YI546ZQMHZ6YRIQX4XVO/Antinous4.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 4. Second-century AD statue of ‘Narcissus’ restored as Meleager by Bartolomeo Cavaceppi (1716–1799). Holkham Hall. Image by Colin Shearer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517859604544-Q3UL150NTLU3P6P7JNZD/Antinous5.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 5. Marble figure of Anne Seymour Damer as the Muse of Sculpture. c. 1779. Height 181 cm. British Museum, M&amp;ME OA 10540 ß Trustees of the British Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517864171811-LHJR320C24BDF8LEODPR/Ganymede6.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 6. Second-century AD statue group of Ganymede and the Eagle. Vatican Museums.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517864317047-MH7C11M1UTQ7F811E7DK/Ganymede7.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 7. Red-figure Kylix showing Zeus and Ganymede, late sixth century BC. Tarquinia, National Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517864446864-WTXONUXFIHD0OY4H21XT/Ganymede8.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 8. Black-figure amphora showing Zeus and Ganymede, c. 500 BC, from Nola.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517864560942-Z3NFYW2F2CNUCMW25EG3/Guido9.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 9. Guido Reni (1575–1642), Saint Cecilia, 1606. Oil on Canvas. Courtesy of The Norton Simon Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517864690905-8CCSTEB958IKQ5TKD3GL/Legros10.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 10. Pierre Legros, St. Ignatius 1697–99, remodelled by Luigi Acquisti, 1803–4. Chapel of St Ignatius, Il Gesu`, Rome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517864790023-B3PKE834JYI02SO3D5QY/StHelen11.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 11. Statue of St Helena from the church of S.Croce in Gerusalemme, Rome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517864904807-JE75NXNLO3KNKD772XXP/Theodon12.png</image:loc>
      <image:title>Articles - The Myth of Return: Restoration as Reception in Eighteenth-Century Rome</image:title>
      <image:caption>Figure 12. Jean-Baptiste Théodon, The Triumph of Faith over Idolatry, 1695–99. Chapel of St. Ignatius, Il Gesù, Rome.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/dissecting-the-classical-hybrid</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519648437481-WZ0HTVW333GSBLZUKWZP/hybrids1.png</image:loc>
      <image:title>Articles - Dissecting the Classical Hybrid</image:title>
      <image:caption>Scene from interior of an Attic black-figure kylix, c. 550BCe. Toledo Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519648869697-XUJ0SVJ8XIBI7UVPB9MF/Hybrids2.png</image:loc>
      <image:title>Articles - Dissecting the Classical Hybrid</image:title>
      <image:caption>Figure 1. Red-figure stamens, Odysseus and the sirens. c. 480-470BCE. British Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519649045910-UDP5MREWQTICW1D4WTPK/hybrid3.png</image:loc>
      <image:title>Articles - Dissecting the Classical Hybrid</image:title>
      <image:caption>Figure 2. Metope from the Parthenon, lapith and centaur, c. 440BCE. British Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519649366879-PQ19EWIY0C2B4VWUQ5Y9/hybrid4.png</image:loc>
      <image:title>Articles - Dissecting the Classical Hybrid</image:title>
      <image:caption>Figure 3. Patricia Piccinini, The Young Family, 2002. Silicone, polyurethane, leather, plywood, human hair, 80 x 150 x 110cm. Image reproduced courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519649575998-ZEZII6EZ7D1B1CID4TYF/hybrids5.png</image:loc>
      <image:title>Articles - Dissecting the Classical Hybrid</image:title>
      <image:caption>Figure 4. Red-figure cup. Theseus and the Minotaur, c. 485-480BCE. British Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519650392793-PT9S767OQ1MGHO1OW92K/hybrid6.png</image:loc>
      <image:title>Articles - Dissecting the Classical Hybrid</image:title>
      <image:caption>Figure 5. Theseus and the Minotaur. Black-figure Attic amphora, c. 540 BCE. Louvre, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519650833650-L8Q2H91UL0NADAL0BEUP/Hybrid7.jpg</image:loc>
      <image:title>Articles - Dissecting the Classical Hybrid</image:title>
      <image:caption>Figure 6. Sarcophagus, Theseus and the Minotaur, c. 250CE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519651129416-NSCQONNMGOXS4FRG7XJ0/Hybrid8.png</image:loc>
      <image:title>Articles - Dissecting the Classical Hybrid</image:title>
      <image:caption>Figure 7. Red-figure amphora, sacrificial scene, 500-475BCe. Image courtesy of the Martin von Wagner Museum, Würzburg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519651385985-608UO58BZFYBSO4GPCV6/hybrid9.png</image:loc>
      <image:title>Articles - Dissecting the Classical Hybrid</image:title>
      <image:caption>Figure 8. Volute Crater, sacrifice of Iphigenia, 370-355BCE. British Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1519651566046-8U6JYE0WME54GJMSQC8U/Hybrids10.png</image:loc>
      <image:title>Articles - Dissecting the Classical Hybrid</image:title>
      <image:caption>Figure 9. Detail of a red-figure nestoris showing the death of Actaeon, 400-380 BCE. British Museum, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/the-temple-of-hadrian</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545842336060-IVHBNJ93BD1ZIG97WCTF/Hadrian1a.png</image:loc>
      <image:title>Articles - The Temple of Hadrian in Rome</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545840863042-VNZFWNH01MA1BD9QARZ7/Hadrian2.jpg</image:loc>
      <image:title>Articles - The Temple of Hadrian in Rome</image:title>
      <image:caption>1 ‘Nation’ relief from the Hadrianeum showing figure in military costume, c. 145 CE. Marble, height: relief 2.13 m; figure 1.51 m. Rome: Capitoline Museums. Photo: K. Anger, D-DAI-Rom 1999.1438. 2 ‘Nation’ relief from the Hadrianeum showing figure with crossed arms, c. 145 CE. Marble, height: relief 2.13 m; figure 1.51 m. Rome: Capitoline Museums. Photo: K. Anger, D-DAI-Rom 1999.1437. 3 ‘Nation’ relief from the Hadrianeum showing figure holding curved sword and flowers, c. 145 CE. Marble, height: relief 1.68 m; figure 1.51 m. Rome: National Museum. Photo: K. Anger, D-DAI-Rom 1999.1444. 4 ‘Nation’ relief from the Hadrianeum showing figure holding pomegranate and flowers, c. 145 CE. Marble, height: relief 1.70 m; figure 1.51 m. Rome: National Museum. Photo: K. Anger, D-DAI-Rom, 1999.1445.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545840946083-TNOUHQEEWVPSN38XGYNL/Hadrian3.png</image:loc>
      <image:title>Articles - The Temple of Hadrian in Rome</image:title>
      <image:caption>5 ‘Nation’ relief from the Hadrianeum showing figure with knotted costume, c. 145 CE. Marble, height: relief 2.14 m; figure 1.51 m. Rome: Capitoline Museums. Photo: K. Anger, D-DAI-Rom 1999.1434. 6 ‘Nation’ relief from the Hadrianeum showing figure with vexillum (standard), c. 145 CE. Marble, height: relief 2.17 m; figure 1.48 m. Rome: Capitoline Museums. Photo: K. Anger, D-DAI-Rom 1999.1433. 7 ‘Nation’ relief from the Hadrianeum showing figure with double axe, c. 145 CE. Marble, height: relief 2.16 m; figure 1.54 m. Rome: Capitoline Museums. Photo: K. Anger, D-DAI-Rom 1999.1435. 8 ‘Nation’ relief from the Hadrianeum showing figure with Phrygian-style cap, c. 145 CE. Marble, height: relief 2.16 m; figure 1.50 m. Rome: Capitoline Museums. Photo: K. Anger, D-DAI-Rom 1999.1436.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545841246991-844T3JNKT8E7XGDTF9TB/Hadrian1.png</image:loc>
      <image:title>Articles - The Temple of Hadrian in Rome</image:title>
      <image:caption>9. The Hadrianeum building in the Piazza di Pietra, Rome. Photo J. Hughes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545841345595-TZF1ZR23UOTY36RNNPSW/Hadrian4.png</image:loc>
      <image:title>Articles - The Temple of Hadrian in Rome</image:title>
      <image:caption>10 Hadrianic ‘Province’ coin, minted c. 134–138 CE. Silver denarius, diameter 17 mm. Private collection. Photo: courtesy of the Classical Numismatic Group, Inc., www.cngcoins.com. 11 Hadrianic ‘Adventus’ coin, minted c. 134–138 CE. Silver denarius, diameter 17 mm. Private collection. Photo: courtesy of the Classical Numismatic Group, Inc., www.cngcoins.com. 12 Hadrianic ‘Restitutor’ coin, minted c. 134–138 CE. Bronze sestertius, diameter 31 mm. Private collection. Photo: courtesy of the Classical Numismatic Group, Inc., www.cngcoins.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545841484125-03YGIUZ571TBI86DDZ0O/Hadrian5.png</image:loc>
      <image:title>Articles - The Temple of Hadrian in Rome</image:title>
      <image:caption>13. ‘Achaea’ and ‘Trophy’ reliefs from the Hadrianeum, c. 145 CE. Rome: Capitoline Museums. Photo J. Hughes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545841717925-KX0F4J88XLEWM5F7EXZ2/Hadrian6.png</image:loc>
      <image:title>Articles - The Temple of Hadrian in Rome</image:title>
      <image:caption>14 Group of ‘dancers’ or ‘peplophoroi’ from the Villa of the Papyri, Herculaneum, first century BCE – first century CE. Bronze, height 1.50 m. Naples: National Museum. Photo: J. Hughes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545841818723-XGJUJIT8M0WNRP7DU8QJ/Hadrian7.png</image:loc>
      <image:title>Articles - The Temple of Hadrian in Rome</image:title>
      <image:caption>15. Details from Seasons Mosaic from the imperial palace at Ostia, showing (left to right, top to bottom) Spring, Summer, Autumn, Winter, mid-second century CE. Rome: San Paolo alle Tre Fontane.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1545842104194-KOXO2PAETP0LJOT8BOXG/Screenshot+2018-12-26+at+16.34.34.png</image:loc>
      <image:title>Articles - The Temple of Hadrian in Rome</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/article/votive-body-parts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517776074393-VV7ZX3UI75ONRSOO6Z3A/Madonna_dell_Arco.png</image:loc>
      <image:title>Articles - Fragmentation as Metaphor in the Classical Healing Sanctuary</image:title>
      <image:caption>Fig. 1. Votives and processional banner at the sanctuary of the Madonna dell'Arco. Photograph reproduced with the kind permission of Lucio Lazarese.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517776226466-JZ9TA396ZOCUQH300U5B/votives_corinth.jpg</image:loc>
      <image:title>Articles - Fragmentation as Metaphor in the Classical Healing Sanctuary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517776421115-MO7N4QXPXLVAJBBI5BAT/Neapolis.png</image:loc>
      <image:title>Articles - Fragmentation as Metaphor in the Classical Healing Sanctuary</image:title>
      <image:caption>Fig. 3. Votive figurines from Neapolis, Sardinia. Image courtesy of Bardi Editore, Rome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517776508844-9R05GXCEOBSPK1HK4DIR/fragmentation.png</image:loc>
      <image:title>Articles - Fragmentation as Metaphor in the Classical Healing Sanctuary</image:title>
      <image:caption>Fig. 4. Votive relief from the Asklepieion at Athens. Image courtesy of the Acropolis Museum, Athens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1517776807372-L7HD76ULTDXHCJQVNTJO/pentheus.png</image:loc>
      <image:title>Articles - Fragmentation as Metaphor in the Classical Healing Sanctuary</image:title>
      <image:caption>Fig. 5 Attic red-figure vase showing the dismemberment of Pentheus. Image courtesy of bipk/Antikensammlung, Staatliche Museen zu Berlin (photo: Johannes Laurentius).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/info</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-03-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/e669c231-c413-41d3-ba9e-003c46e11a50/logo.jpeg</image:loc>
      <image:title>Welcome - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/c1bcc8e4-9470-45e8-8cf8-dfb561fa5d12/IMG_7260.jpeg</image:loc>
      <image:title>Welcome - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/naples-gazetteer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-06</lastmod>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/naples-gazetteer/the-church-of-san-giovanni-battista-via-constantinopoli</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/cfbb2ae8-3150-48e4-97a8-adaedea79a51/SanGiovanniBattista.jpeg</image:loc>
      <image:title>Naples - Church of San Giovanni Battista, Via Constantinopoli 106 - Make it stand out</image:title>
      <image:caption>Photo: By I, Baku, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=2489090</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/naples-gazetteer/bookshopprinter-of-salvatore-festa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/3ba5c9cf-6967-41c5-8254-986e434f5456/San_Biagio_Migliaro.jpeg</image:loc>
      <image:title>Naples - Printing Press and Bookshop of Andrea and Salvatore Festa, via San Biagio dei Librai, 102 - Make it stand out</image:title>
      <image:caption>Vincenzo Migliaro (1858-1938) - San Biagio dei Librai (1928)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/recipes-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-06</lastmod>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/recipes-1/pasta-lenticchie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/62e51592-6de9-4c87-a8ca-3580438f9649/IMG_1452.jpg</image:loc>
      <image:title>Recipes - Lentil Pasta (‘Pasta e Lenticchie') - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/recipes-1/orechiette-e-broccoli</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/83e87e13-cf3e-43b2-8870-d10ff55b6f5b/d52679ad-5784-469a-8722-0ab51f92b077.JPG</image:loc>
      <image:title>Recipes - Broccoli Pasta (‘Orechiette e Broccoli’) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/recipes-1/beans-and-asparagus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/bb4502f5-b4b7-4852-bf92-100848467ba0/asparagus.jpg</image:loc>
      <image:title>Recipes - Pasta, Beans and Asparagus - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/recipes-1/spaghetti-alla-nerano</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/e9305f6a-83fd-4e21-ad32-e0fe354832d6/fiori.jpg</image:loc>
      <image:title>Recipes - Spaghetti with Courgettes (‘Spaghetti alla Nerano') - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/recipes-1/pasta-e-cocozza</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/565edc5ee4b0a1cc6f5d911d/1536877a-2fad-4a6e-8428-9aa3b6bc8512/pumpkin.jpg</image:loc>
      <image:title>Recipes - Pumpkin Pasta ('Pasta e Cocozza') - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/articles-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-06</lastmod>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/naples</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-06</lastmod>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/recipes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-10-29</lastmod>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/tunes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-23</lastmod>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/tunes-in-g</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/tunes-in-d</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-20</lastmod>
  </url>
  <url>
    <loc>http://www.hitchinoldtimejam.uk/tunes-in-a</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-24</lastmod>
  </url>
</urlset>

